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David Dimbleby furious at loss of Question Time editor PDF Print E-mail

Question Time staff upset at BBC plan to relocate the show to Scotland. David Dimbleby is at loggerheads with BBC executives over a plan to move production of Question Time from London to Glasgow.

The host of the BBC's political programme said: "Question Time looks simple enough on air, but actually it's the result of a great deal of work behind the scenes – at Westminster."

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Gwyneth Paltrow: a continuing source of nourishment PDF Print E-mail

The star threatened to close her website Gloop. Then she changed her mind. So more top tips on £615-a-night hotel rooms

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Hello, Norma Jean ... Could CGI help Marilyn Monroe star in new film? PDF Print E-mail

A US business has bought up Monroe's brand rights in the hope of reviving her via Tron: Legacy-style technology. Will it work?

"Death," purred Gandalf, back in The Lord of the Rings, "is not the end. Death is just another path – one that we must all take." The wizard may have said these words trying to console a scared hobbit, but he could have easily been describing a tentatively emerging Hollywood philosophy.

Read more... [Hello, Norma Jean ... Could CGI help Marilyn Monroe star in new film?]
 
Charlie Chaplin's film music PDF Print E-mail

Charlie Chaplin responded to the arrival of sound by keeping his tramp mute and creating a fabulous soundtrack. Composer Carl Davis on the challenge of reconstructing his original scores

The three giants of 20th-century art are, for me, Picasso, Stravinsky and Chaplin. All three produced a tremendous amount of work – original, controversial and rewarding. Chaplin was a film-maker in complete control of his art: conceiving, scripting, acting, directing, producing, editing and, strikingly, creating his own musical scores. His stimulus, as it is with all clowns, was the creation of a character – amusing, moving, the fate of whom constantly intrigues us.

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On the set of 127 Hours, the first big film of 2011 PDF Print E-mail

Danny Boyle's true tale of Aron Ralston, the trapped hiker who cut off his own arm with a penknife, is a world away from Slumdog Millionaire

It's a gloriously sunny spring day in the suburbs of Salt Lake City. Step inside the old furniture warehouse and the bright light gives way to a dark, dusty space. Past a small, windowless room where a man is carefully painting freckles on to a prosthetic arm with a tiny brush. Past piles of orange-red soil, hand-made boulders and a vast vertical canyon so realistic it looks as though it's been airlifted from the deserts of Utah.

Read more... [On the set of 127 Hours, the first big film of 2011]
 
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